Open Studio at Project GOLEB, Amsterdam - The Netherland, 2017
"During my residency in Project GOLEB, I did a short research about collectivity; followed by a intervention titled "Collective (im)Possibilities: The Politics of Too Many Dinner Parties" I have a special interest in the practice of collectivity. During my short residency in GOLEB-Amsterdam (January 2017), I tried to connect with project spaces in Amsterdam. During the residency, I did three simulations: first, contacting project spaces in Amsterdam. Second simulation is to open the doors to every studio spaces within Goleb. This second simulation is a strategy to see how changes happen and the idea of collectivity transformed during 6 years of Goleb’s existence. And the third simulation is by inviting three art practitioners (in this case, three curators) to play collective chess, where chessplay is no longer an individual one on one play buy more on teamwork. In this simulation, I want to see how collectivity is forced within the sphere of individual practice. As the final result, I made a manifesto of personal consent in collaborative work and an open studio consisting of a mini exhibition and discussion about collectivity. In the exhibition, I presented three video works around the notion of collectivity that I divided in three parts: collectivity practice as ‘parents’, ‘kinship’, and ‘society’.
The practice of collectivity is very close to the community where I live in, Yogyakarta, and elsewhere in Indonesia . I quite often see how some the topic is being discussed, and then attracted the attention of other parties from other countries, both near and far, to conduct research on it. Amidst the hustle bustle of the people coming to conduct their researches from abroad, I start to question how this practice of collectivity applies in other countries. Previously, I did a short research residency in Amsterdam to study the pattern of collectivity in artist run spaces. For the residency in Het Wilde Weten, I continue the research in Rotterdam on collectivity and artistic practice in independent art spaces and project spaces. I conducted a series of meeting, institutional visit to project spaces, and probably dinner parties to share the perspectives about the practice of collectivity and the experience of running an independent art space in different local context."